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Vocaloid Technology and The Future of Music Discussion

 

Contemporary LifeWriting Assignment 2: Vocaloids and the Future of MusicWriting Prompt:After having watched the module 18 lecture (part 3) on Miku Hatsune and vocaloidsin Japan, this writing assignment asks you to consider the position of vocaloid technology in the future of music performance. As mentioned in the lecture, this technology has been used for several years in Japan and has since been used to resurrect dead performers, such as Tupac Shakur, Michael Jackson, etc., as well as being used as fill-ins for absent duet partners (Carrie Underwood, Janelle Monáe, etc.). This writing assignment asks you to consider the following questions (you may answer as many or as few as you wish): What did you think of the Miku Hatsune performance either as music or as a concept? Do you view vocaloid technology positively or negatively? Why? Would you pay to see a vocaloid performance “live?” Why or why not? Do you think as the technology becomes better and more affordable, will there be a flood of dead celebrity hologram collaborations? (Think of Hologram David Bowie playing with John Lennon and Kurt Cobain, Prince jamming with Jimi Hendrix and Bob Marley, or Whitney Houston singing a chorus for a Tupac rap). Hologram toursby the deceased tejanomusic legend Selena (who was murdered over 20years ago)and Amy Winehouse are in the works. Is this type of project about earning profits off of the dead or giving new experiences to old fans or people who didn’t have the opportunity to see these stars perform live? 

More generally, are vocaloid holograms a technological extension of music making or a further distancing of the public from actual music performance (and if so, is this evena negative development)? Is Miku Hatsune a corporate scam (a company own the product and earns money while others make new content) or does this technology allow a democratization of music -making for anyone who can afford the technology (dedicated fans can contribute to the art they enjoy)? Will holograms of living performers be the simulcast technology of the future, enabling artists to perform everywhere virtually without needing to travel (putting more musicians out of work)? Perhaps instead of attending a concert, the same amount of money could get Hologram Beyoncé to perform for your birthday party(and for an extra fee give you a personalized shout-out). How closely is vocaloid technology related to electronica, where some DJs perform not by playing musical instruments but by activating prerecorded sounds? Or is this closer to the so-called tribute bands, who perform convincing imitations of classic rock and pop actsfrom their classic eras? Does it matter whether or not vocaloids are real if you get real feelings from the music? 

WritingAssignment: Using the above ideas regarding the nature and potential of vocaloid technology, describe your opinions regarding the vocaloid phenomenon based upon the lecture, performance clip, and additional links. As with our previous assignments, students may choose to view vocaloid technology positively, negatively, or both. As before, the important thing to do to fulfill the assignment is to: 1)evaluate vocaloids (positive, negative, mixed) using any of the prompt questions and then 2) support your opinion. Again this is a reflection and opinion paper and not a research paper; there is no single correct answer. But as before, move saying that you do or do not like something and explain why. If you feel ambivalent about vocaloids, explainyour ambivalence and demonstrate an awareness of positive or negative viewpoints of the subject. Use any of the questions raised in the writing prompts above as a point of departure.The assignment is worth 40points. Unlike discussions, only course staff will read your entry. 

Will provide the video.

https://mediasite.sdsu.edu/Mediasite/Play/01e48dd7749443029389ec6b18c756521d