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HIS 111 JMU Mali Political Practices and Ceremony Research Paper

 

This is a research paper of His 111 I need three pages with double space and including cite of sources 

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The court ceremonial of king Sulayman of Mali

On certain days the sultan holds audiences in the palace yard, where there is a platform under a tree, with three steps; this they call the “pempi.” It is carpeted with silk and has cushions placed on it. [Over it] is raised the umbrella, which is a sort of pavilion made of silk, surmounted by a bird in gold, about the size of a falcon. The sultan comes out of a door in a corner of the palace, carrying a bow in his hand and a quiver on his back. On his head he has a golden skull-cap, bound with a gold band which has narrow ends shaped like knives, more than a span in length. His usual dress is a velvety red tunic, made of the European fabrics called “mutanfas.” The sultan is preceded by his musicians, who carry gold and silver guimbris [two-stringed guitars], and behind him come three hundred armed slaves. He walks in a leisurely fashion, affecting a very slow movement, and even stops from time to time. On reaching the pempi he stops and looks round the assembly, then ascends it in the sedate manner of a preacher ascending a mosque-pulpit. As he takes his seat the drums, trumpets, and bugles are sounded. Three slaves go out at a run to summon the sovereign’s deputy and the military commanders, who enter and sit down. Two saddled and bridled horses are brought, along with two goats, which they hold to serve as a protection against the evil eye. Dugha stands at the gate and the rest of the people remain in the street, under the trees.

The negroes are of all people the most submissive to their king and the most abject in their behaviour before him. They swear by his name, saying “Mansa Sulayman ki” [in Mandingo, “the emperor Sulayman has commanded”]. If he summons any of them while he is holding an audience in his pavilion, the person summoned takes off his clothes and puts on worn garments, removes his turban and dons a dirty skullcap, and enters with his garments and trousers raised knee-high. He goes forward in an attitude of humility and dejection and knocks the ground hard with his elbows, then stands with bowed head and bent back listening to what he says. If anyone addresses the king and receives a reply from him, he uncovers his back and throws dust over his head and back, for all the world like a bather splashing himself with water. I used to wonder how it was they did not blind themselves. If the sultan delivers any remarks during his audience, those present take off their turbans and put them down, and listen in silence to what he says.

Sometimes one of them stands up before him and recalls his deeds in the sultan’s service, saying, “I did so-and-so on such a day,” or, “I killed so-and-so on such a day.” Those who have knowledge of this confirm his words, which they do by plucking the cord of the bow and releasing it [with a twang], just as an archer does when shooting an arrow. If the sultan says, “Truly spoken,” or thanks him, he removes his clothes and “dusts.” That is their idea of good manners.

Ibn Battuta judges the character of the people of Mali

The negroes possess some admirable qualities. They are seldom unjust, and have a greater abhorrence of injustice than any other people. Their sultan shows no mercy to anyone who is guilty of the least act of it. There is complete security in their country. Neither traveller nor inhabitant in it has anything to fear from robbers or men of violence. They do not confiscate the property of any white man who dies in their country, even if it be uncounted wealth. On the contrary, they give it into the charge of some trustworthy person among the whites, until the rightful heir takes possession of it. They are careful to observe the hours of prayer, and assiduous in attending them in congregations, and in bringing up their children to them.

Their piety

On Fridays, if a man does not go early to the mosque, he cannot find a corner to pray in, on account of the crowd. It is a custom of theirs to send each man his boy [to the mosque] with his prayer-mat; the boy spreads it out for his master in a place befitting him [and remains on it] until he comes to the mosque. Their prayer-mats are made of the leaves of a tree resembling a date-palm, but without fruit.

Another of their good qualities is their habit of wearing clean white garments on Fridays. Even if a man has nothing but an old worn shirt, he washes it and cleans it, and wears it to the Friday service. Yet another is their zeal for learning the Koran by heart. They put their children in chains if they show any backwardness in memorizing it, and they are not set free until they have it by heart. I visited the qadi in his house on the day of the festival. His children were chained up, so I said to him, “Will you not let them loose?” He replied, “I shall not do so until they learn the Koran by heart.”

The nakedness of the women

Among their bad qualities are the following. The women servants, slave-girls, and young girls go about in front of everyone naked, without a stitch of clothing on them. Women go into the sultan’s presence naked and without coverings, and his daughters also go about naked. Then there is their custom of putting dust and ashes on their heads, as a mark of respect, and the grotesque ceremonies we have described when the poets recite their verses. Another reprehensible practice among many of them is the eating of carrion, dogs, and asses.